Some themes become our ‘signature’. We may not know it at the time, yet they are the ideas, themes, motifs, colours and forms which repeatedly appear in our artworks, evolving through the years. Mine have been circles, networks of connection that encircle my thinking.
Collage has always been my default artistic practice. Yet last year I abandoned it as if I had ‘grown out of it’. I had quite forgotten the joy of tearing up paper and collaging pieces together. Now I have discovered a new inspiration: collaging collages.
There are so many things you could make, it can be hard to know where to start. I’ve been making blank notebooks using up old prints that I folded to become the little book covers. Creating these notebooks has put me back into ‘maker mode’. What will go inside them? The possibilities are endless.
No inspiration, lots of procrastination. Endless scrolling on social media. It can feel like the black cloud of creative depression will never lift. Waiting for that day to come is an act of faith.
Writing for divine guidance is what author Julia Cameron describes as the fourth essential artists’ tool. Yet I needed to travel to Japan to fully appreciate why going on an Artist Date (the third essential artists’ tool) is so important and why I’ll also be scheduling in dates with angels as part of my artistic practice.
How do you pull yourself out of artistic depression? I knew I had to take myself away. To burn off all resistance and confront my fear. Two weeks in Japan. Yet every morning I’d wake up and wonder why I was putting myself through this test. Was it worth it?
How do you make visible the invisible? On the ‘art island’ of Naoshima in Japan, artists have found inspiring ways to reframe the way you perceive time and its passing. It inspires me to slow down as well.
What happens when you bury paper in the snow? It’s probably going to fall apart. But an ancient practice of burying the raw material fibres of washi paper in the snow renders the paper it makes beautifully white. It’s called snow bleaching.
Your artistic children do not belong to you. They are life’s longing for self expression. Letting go of your art creations is important if they are to find new homes. Yet you can be full of anxiety - will they be loved by others as you love them yourself?
I have a collection of sewing and knitting patterns inherited from my mother, grandmother and great aunts. Their stories needed to be told. using the tools and materials of their time, I chose to stitch a narrative of resilience and adaption, pulling the threads of the past into our present time of climate upheaval.
What makes a successful art exhibition? Gallerists can provide a special bridge between an artist’s work and its audience, advocating for the artwork on the artist’s behalf. They handle the installation, marketing and selling of the art, leaving the artist free to talk to their audience and enjoy the ‘buzz’ of the exhibition opening.
Small children find magic all around them. When does that enchantment with the world dissipate? As adults its easy to become busy and disconnected from nature. I have been searching for ways to reignite my enchantment with the world through small daily acts which start a flow of gratitude.
In Julia Cameron’s new book Living the Artist’s Way, she talks about Guidance as the fourth tool in living a creative life. Trusting your intuition is an intangible yet powerful way to journey through life. Trusting the process of creating allows me to feel confident when I am trying new techniques like this free form ink drawing.
As an artist, I am a collector. My garage and studio are crammed to the roof with THINGS! I don’t want to leave these as my legacy so it is time to declutter. I told a friend what I was doing and she suggested I watch “The Gentle Art of Swedish Death Cleaning” which totally resonated with me. Don’t leave your mess for someone else to have to clean up.
Do we truely value what we do? If the answer is no, is this about the ‘tall poppy’ syndrome or living ‘under the radar’ as a woman, to not draw attention to yourself? This undervaluing can translate into how you value your own creations and artworks. What do you choose to exhibit or share?
Artist talks are a bit like your Monday morning school ‘show and tell’. It’s about explaining what you have done; the how and why of making art. For my MA Arts & Place final project, I gave an artist talk and film screening which showed how I collaborated with nature ‘on site’ and how mark making can be used as an immerse experience.
When you are so busy trying to prove yourself to the world at large (or maybe yourself) you can feel like you have to keep pushing yourself, striving all the time to reach more and more milestones. It’s exhausting. That’s where pretending can lead to practising. It’s all in the framing.
I continually ask myself about the relevance of art and creativity. Is art relevant and why? I have been trying to understand the nature of duality and finding hope when we witness war. How do we navigate conflict? What role does art in its many forms play in creating the future and changing perceptions?
I have spent the past five years pushing myself to my limits, learning, exploring life as a entrepreneur, creating art and returning to writing again. At the end of 2023 I have emerged stronger in my art practice, knowing that living as an artist means embracing all of who you are. The only thing constant is change.
Self publishing is a fantastic way to create a printed catalogue of your art project. The images in a book retain the essence of place, the sounds heard and smells experienced there as well as a document of art created ‘on site’. Books can become ambassadors of your work, able to travel and represent you when you can’t be there yourself.
